By Mark Rosenfelder
The sequel to the Language building Kit: research more approximately developed languages and approximately linguistics: good judgment, pidgins and creoles, signal languages, the linguistic lifestyles cycle, and a meaty step by step survey of morphosyntax.
Create specified and believable languages for RPGs, delusion and technology fiction, videos, or video games... or simply research extra approximately how languages paintings with an analogous exact but enjoyable technique because the unique LCK.
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Extra info for Advanced Language Construction
The life of the originals attains in them to its ever-renewed latest and most abundant flowering. Being a special and high form of life, this flowering is governed by a special, high purposiveness. The relationship between life and purposefulness, seemingly obvious yet almost beyond the grasp of the intellect, reveals itself only if the ultimate purpose toward which all single functions tend is sought not in its own sphere but in a higher one. All puposeful manifestations of life, including their very purposiveness, in the final analysis have their end not in life, but in the expression of its nature, in the representation of its significance.
A robustezza, a masculinity. I had a great enthusiasm (perfectly justified), but I did not clearly see exterior demarcations—Euclid inside his cube, with no premonition of Cartesian axes. My perception was not obfuscated by Guido’s Italian, difficult as it then was for me to read. I was obfuscated by the Victorian language. If I hadn’t been, I very possibly couldn’t have done the job at all. I should have seen the too great multiplicity of problems contained in the one problem before me. I don’t mean that I didn’t see dull spots in the sonnets.
Ah God, what she is like when her owne eye turneth, is Fit for Amor to speake, for I cannot at all; Such is her modesty, I would call Every woman else but an useless uneasiness. ” The objections to such a method are: the doubt as to whether one has the right to take a serious poem and turn it into a mere exercise in quaintness; the “misrepresentation” not of the poem’s antiquity, but of the proportionate feel of that antiquity, by which I mean that Guido’s thirteenth-century language is to twentieth-century Italian sense much less archaic than any fourteenth-, fifteenth-, or early sixteenth-century English is for us.
Advanced Language Construction by Mark Rosenfelder